The #hopeandhealingcanada project created by Métis artist Tracey-Mae Chambers consists of a series of site-specific art installations across Canada. Each is made using crochet, knit, and woven red yarns. This ongoing body of work is used to illustrate connections between Indigenous, Inuit, and Métis peoples with Canadians, while also addressing the decolonization of public spaces. Once dismantled, the work is returned to the artist and will be reworked and repurposed at another site somewhere else in the country. The stories gathered from each participating venue will culminate in a book and traveling exhibition.
The Museum of Vancouver, as a former colonial institution, is committed to actions of redress and decolonization. In practice, this means working together with Indigenous Community members to share their stories - past, present, and future; to showcase the ongoing strength of their artistic accomplishments and cultural traditions; and to spark discussions about the issues that matter most to their communities.
Photo Credit: Wellany Tribune
Tracey-Mae Chambers is a Métis artist and a member of the Métis Nation of Ontario. Her family is from, and some still reside, in the traditional Métis community in Sault Ste. Marie and Penetanguishene, Ontario. She is traveling across Canada and the United States creating site specific art installations at residential school historical sites, cultural centres, museums, art galleries and other public spaces.