Posted by: Rachel Roy on January 20, 2015 at 3:42 pm

Harkening back to a bygone era: Haunting melodies performed at MOV on January 17th, 2015.

Ever want to escape today’s hustle and bustle to a slower more romantic time? Vocalist Patricia Hammond charmed us with her pre and post war era tunes, bringing a poised and elegant presence to the stage. Patricia and guitar accompanist Budge Schachte have a soulful chemistry — evermore so when it was revealed to the audience that they met in person for the first time the day before!

The first half of this MOV event included a selection of 1940s tunes that brought out the hardships and far away travels of these war times when soldiers left their families and lovers behind. Patricia encouraged the audience to join in with “You’ll get used to it”, “Wish me luck as you wave me goodbye!” and “Will meet again some sunny day”.

After a costume change to a more whimsical dress, appropriate for the 1950s post war era, the second half of the show brought a feeling of letting go with songs such as, “This is my lovely day” and “Enjoy yourself.”  “Far away places with strange sounding names” had an emotional resonance that reminded me of adventurous train travels in Europe.

Quite the conversationalist, Patricia revealed her passion for collecting sheet music. She discovered “She wears red feathers and a hootie hootie skirt” at Carillon Music in Vancouver, and performed it for the first time this night, with charm and grace.

Patricia’s 1950s dress had a playful fabric, which swayed as she sang and danced.

She revealed that it was a reproduction designed by Vivien of Holloway, and amusingly mentioned that certain songs tickled the bones of this dress, acting as an “imaginary singing teacher” as she sang. 

To see more dresses from the 1940s and 1950s, visit MOV’s From Rationing to Ravishing Exhibition through March 8th 2015!


Posted by: Rachel Roy on January 5, 2015 at 1:56 pm

Transport yourself back in time with a retro musical performance from London England singer Patricia Hammond and accompanying guitarist Budge Schachte. Experience a lyrical journey of wartime and postwar era tunes that will trigger your imagination as you stroll through MOV’s Rationing to Ravishing The Transformation of Women’s Clothing in the 1940s and 1950s  exhibition—free admission with your paid ticket!

After the concert, come explore more than 80 garments presented in the gallery spaces from cocktail dresses to jumpsuits to wartime wedding dresses and much more this Saturday, January 17th from 7:00 to 8:30pm at MOV. A cash bar will be available on site to enhance your evening’s enjoyment!

For further ticket and event information please visit

Posted by: Marketing on November 24, 2014 at 4:21 pm

On the morning of November 8th, the Vancouver Urban Sketchers MeetUp group convened at MOV with their pencils and books in hand, to experience our current fashion exhibition From Rationing to Ravishing - which spans the 1940s and 1950s. Twenty-eight members came out to participate in the event creating many fantastic representations of the exhibition.

Visit their MeetUp page to see more.

Posted by: Jillian Povarchook on November 18, 2014 at 2:30 pm

The MOV’s current temporary exhibition, From Rationing to Ravishing: The Transformation of Women’s Clothing in the 1940s and 1950s, draws from the private collections of fashion historians Ivan Sayers and Claus Jahnke. In its collection, MOV also has a large amount of fashion related artifacts, and while very few of them are seen in From Rationing to Ravishing, a great number of them are now available on the MOV’s online collections database, openMOV.

Over the past 6 months, with financial aid from the Irving K. Barber Learning Centre’s BC History Digitization Program, MOV staff have digitized over 2400 accessories from this collection of fashionable artifacts, including hats, shoes, handkerchiefs, fans, and jewellery.

To view all of the artifacts digitized in this project, search the keyword phrase BC Digitization 2014 on openMOV. Here, though, we share a few artifacts that would fit in perfectly with the stunning pieces featured in From Rationing to Ravishing, as well as the stories of the women to whom they belonged.

Pink skullcap hat with black braid, c. 1955-1965: H984.128.11
Donor: Estate of Mrs. Iby Koerner

Born to Hungarian-Jewish parents in 1899, Ibolya (Iby) Koerner became actively involved in community life in Vancouver after arriving with her husband and daughter shortly before the outbreak of the Second World War.

During the war years, Mrs. Koerner was an active volunteer at the Shaughnessy Hospital Red Cross Lodge, as well as a member of the Vancouver Art Gallery Women’s Auxiliary Committee. After the war, she served on the board of the Community Arts Council, later becoming heavily involved with the Vancouver International Festival and the Community Music School, now the Vancouver Academy of Music.

After her death in 1983, a donation of clothing and accessories was made by her estate to the Museum, including this hat. It is representative of the variety of hats Mrs. Koerner would have worn to various charity and cocktail funtions.

Navy straw picture hat, c. 1948-1955: H985.33.10
Donor: Miss Nora Nedden

Purchased in Vancouver sometime between 1948 and 1955, this hat belong to Miss Nora Nedden. Miss Nedden was born in England in 1903 and educated at a convent in Ireland. She came to Vancouver in the late 1910s to live with an aunt and uncle, Captain and Mrs. Nedden and remained in Vancouver for the rest of her life, save during the Second World War when she served with the Women’s Auxiliary Air Force in the RAF.

Miss Nedden was a noted South Vancouver socialite, active in the Southlands Riding Club and in charitable organizations such as the Alliance Française, CNIB, and St. John’s Anglican Church.

Royal Canadian Air Force handkerchief and mailer, c. 1940-1945: H980.62.2
Donor: Miss Jane Rittenhouse

During the Second World War, Jane Rittenhouse joined the WRENS (Women’s Royal Navy Service), working mostly as a supply clerk in Halifax. After working a variety of jobs in Toronto after the war, Ms. Rittenhouse moved to Vancouver, where she began an active volunteer career, working largely within Kitsilano.

For some time, she spent more hours than a full-time work week working on volunteer activities with organizations such as the Kitsilano Neighbourhood Association. She served on the Local Area Planning Committee, the Community Resources Board, and the Parents Book Committee, among others, bringing her expertise to numerous projects such as the development of local day care centres, seniors’ activities, and the production of a Roger's Cable documentary.

It’s likely this handkerchief was one of many mass produced for fundraising purposes. It would have been folded into the mailer and sent to those deployed in service overseas.

Flower shaped brooch, c. 1950s: H997.26.28
Donor: Ms. Sonya Kraemer

From a very early age, Sonja Kraemer adored jewellery, for she saw it as a means to feeling beautiful and being accepted by others. Born in Vancouver in 1958, she moved with her family to rural Richmond when she was six years old. Her mother came from a middle-class family in Germany where the proper clothes and the right appearance and image were very important.

Kraemer was in her early teens, c. 1968-1972, when she began to purchase jewellery for herself; her first purchase was at Woodward's. Between the years of 1980 and 1981, Kraemer worked in a curio shop, "Aleksandra's" where she took jewelry in lieu of a salary until she became a sales clerk. "Aleksandra's" was at 312 W. Hastings Street, Vancouver, until it closed in 1981. Most of the jewelry in this collection came from Aleksandra's.

This brooch features rhinestones with an “aurora borealis” treatment, so called because it gives the stones an iridescent quality similar to the Northern Lights. The treatment was introduced by Swarovski in 1955 and became a very popular trend in 1950s costume jewellery.


MOV wishes again to thank the Irving K. Barber Learning Centre’s BC History Digitization Program; without their financial support, this project would not have been possible.